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Friedrich Hölderlin - Homburg as a place of writing
Video production: Thomas Claus Medienproduktion - The film "Homburg as a place of writing" deals with the main topics Hölderlin worked on during his time in Homburg. The content of the films is based on quotations from Hölderlin's letters, which he sent to his family and friends during his first stay in Homburg. Based on the letters, we can virtually look over Hölderlin's shoulder as he works and literally experience how Hölderlin lived in Homburg, what he felt during this time and what he was working on. The films can be seen on a screen in the Hölderlin Cabinet in the Villa Wertheimber and are accompanied by an exhibition with display boards.

Hölderlin in Homburg

The poet Johann Christian Friedrich Hölderlin, born on March 20, 1770 in Lauffen am Neckar, was a theology student at Tübingen Abbey, where Isaak von Sinclair from Homburg, five years his junior, also studied law in 1792/93. At Tübingen Abbey, they discussed philosophy and the ideals of the French Revolution with other Abbey students such as Hegel and Schelling. This led to a close friendship between Hölderlin and Sinclair, which resulted in Hölderlin coming to Homburg vor der Höhe twice.

  • Hölderlin's first stay in Homburg lasted from September 1798 to the beginning of June 1800, during which time he was extremely productive. He wrote numerous poems, drafted the drama "The Death of Empedocles" and completed the second part of the novel "Hyperion". The first part of Hyperion - published by Schiller in the journal "Thalia" - was widely read at the court in Homburg.

    The epistolary novel Hyperion was also the favorite reading of Princess Auguste of Hesse-Homburg, daughter of Landgrave Friedrich V of Hesse-Homburg, who ruled during Hölderlin's time. Hölderlin never met the princess in person. Nevertheless, he dedicated the ode to her on the occasion of her birthday in 1799: "To Princess Auguste von Homburg the 28th of Nov 1799."

    Grafik Portrait Hölderlin | © Pastell von Franz Karl Hiemer, 1792, Zeitgenössische Kopie: Museum im Gotischen Haus

    Hölderlin had a strong feeling for nature; he particularly enjoyed the scenic beauty of his surroundings. His love of nature is also expressed in Hyperion. The protagonist, an idealist who cannot find his way in the real world, is purified by suffering. It makes him strong, frees him from inner distress and leads him to nature, its beauty, creative power and harmony.

    The poet left Homburg in June 1800 because his financial reserves were exhausted. He returned to his native Württemberg, initially staying in Nürtingen and Stuttgart, before accepting a new position as court master in Hauptwyl near St. Gallen in Switzerland. When this and a further position as court master in Bordeaux failed, he came to Homburg vor der Höhe for the second time in June 1804 after several intermediate stops.

  • Grafik Gemälde Homburg | © Museum Gotisches Haus

    The picture shows Homburg and the castle from the east, as it was seen during Hölderlin's stay. The watercolor was created in 1815 and bears the signature: Frl. v. Sinclair fec. (Gustavine von Sinclair).

    We have less information on Hölderlin from his second stay in Homburg. The arduous return journey from Bordeaux on foot and the death of Susette Gontard on June 22, 1802 caused a deep break in Hölderlin's life. Many friends had distanced themselves from him, only Sinclair still stood by him. Sinclair therefore brought him back to Homburg in June 1804 in the hope that Hölderlin would recover there and return to the fruitful days of his first stay in Homburg.

    However, when Sinclair was arrested on February 26, 1805 for a suspected conspiracy against the Elector of Württemberg and deported to Ludwigsburg, Hölderlin was completely alone in Homburg. He was even threatened with extradition to Württemberg, as he had taken part in a politically conspiratorial meeting there with Sinclair on June 19, 1804.

    Hölderlin's health, which was already very poor, deteriorated considerably as a result of these circumstances. In addition, almost all of his friends had left him and his relationship with his mother was extremely strained. For this reason, Hölderlin was hardly in any condition to write poems or letters during his second stay in Homburg. When Sinclair returned to Homburg after his acquittal from the charge of high treason, he found a completely confused Hölderlin. In August 1806, he wrote to Hölderlin's mother that he could no longer provide for Hölderlin financially. She then decided to have him admitted to Dr. Autenrieth's psychiatric clinic in Tübingen. On September 11, 1806, Hölderlin's fate was sealed: he was forcibly placed in a carriage and taken to Tübingen. The dream of further years as a poet in Homburg was finally shattered.

  • Hölderlin's works were only recognized by a small circle of friends during his lifetime. In the history of German literature, the poet stood at the crossroads between Classicism and Romanticism. Only posterity did him justice. The Hölderlin Society researches and disseminates the poet's literary work.

    In Bad Homburg v. d. Höhe, the poet's memory is honored with the annual awarding of the Friedrich Hölderlin Literature Prize. The town also has a rich collection of Hölderlin manuscripts. A school and a street are named after the poet.

    Grafik Hölderlin Denkmal | © Stadtarchiv Bad Homburg v. d. Höhe

    The Homburg Hölderlin monument is located in the Kurpark. It was unveiled on July 28, 1883. On the front of a three-sided pyramid made of red sandstone is a relief of the poet in white marble, with the inscription below:

    "Friedrich Hölderlin born at Lauffen March 20, 1770 / died at Tübingen June 7, 1843" In memory of the poet's stay in Homburg (1798 - 1800 and 1804 - 1806) erected by the Homburg Society for History and Antiquities on July 28, 1883.

    The other side reads:

    A son of the earth

    I am
    Made to love,
    To suffer.
    Hölderlin "Die Heimath"

    Beauty flees
    From the life of man
    Up into the spirit,
    Becomes ideal, what was nature.
    Hölderlin "Hyperion"